Some projects

In a place both deluged and water-starved, sustained seasonal observation allows for telling images.

ASMR4 is a small-run conversation. A conversation between 4 photographers in the form of a book.

In 1969, in the Yucatan and on the coast of Sanibel Island, Robert Smithson made a series of mirror travel photographs.

I worked on “scopes”, 2D plots which visualize the lightness or chrominance of an image.

Dust, weeds and other castaways. The slow shift of light and foliage. A lake nearly gone.

Present day investigations at Lynden Sculpture Garden of Meriwether Lewis’s diary entry describing a day and night in the environs of the Great Falls of the Missouri River.

Working with a novel image sensor and towards the fundamentals of image processing.

Retracing Mark Twain’s 1861 journey across Utah’s alkali desert.

Working at high altitudes, photographs as emotional objects. A gallery show and an artist's book.

In 1999, I dreamed I was drifting over the Bowery at sunset. The street was covered by a red fog laced with yellow-orange fumes.

The language of this small paradise exists for us to happen upon in future days or to reflect on in former. For the visitor, the cold moment is a negotiable foray into fiction and found territory.

The digital Ocean has been my ongoing project since 2000. It is a real-time, physics based, interactive manifestation of the ocean.

Sometime around 2001, I decided I was a landscape photographer. No more birds, just the land. And an odd seal.

Drifting in New York, and a few other places. A getting-the-feet-back-on-the-ground effort.

Those were the days!  Traveling in the car West then East.  Drifting to and from the darkroom, printing evening after evening.

I made it speak extemporaneously: as it came up with new words it spoke them, then forgot them.

This was the "first NY art show". It wasn't really called "trying to learn..." It didn't have a title, but that was what I'd been wanting to call it if I could've gotten up the guts, so I'll pretend it is the title.